Friday, November 29, 2013

Dance Ensemble's First Time At Galaxy


The first time I arrived at the local after school program in town with Celeste and two dancers from the Dance Ensemble who were willing enough to help me carry out my workshop with the kids. At this point, I knew I would have to be flexible with the workshop I had prepared, which would be a simple version of Workshop #1, but it turned out I had to do so more greatly than I had anticipated. While we had a small, older group of students already at the site, we waited 15 minutes for the younger group to arrive from the elementary school (and seeing as we only had ~40 minutes to begin with, this would make quite a difference in the structure of the workshop). When the younger students arrived, we had about 20 students to work with.
Warm-up

I deviated from using any of the five images I had presented to the Dance Ensemble dancers and to the kids when they visited our studio the week prior. So, instead, I borrowed a large model of DNA that my Biology teacher used to teach my second-year Biology class about DNA. I thought this would be a good substitute for a simple image on a small sheet of paper, because it would allow the students to get up close and personal with the model and see it as not only a learning tool, but also a sculpture and something interactive.





Being in this space did present a few more difficulties, however. It was obvious that the students were in a space that they were familiar with and used to behaving in a more relaxed manner, than say a classroom. Electronics, crafts, and other activities became distractions for many students who were initially invested in the movement workshop. It should be noted that part of the culture of the space and program includes an emphasis on encouraging students to participate in a variety of activities, but no child can be forced to do so. In this case, the students could drop out of participating in the workshop if they chose. It was a challenge to keep the students’ focus and to keep the space from erupting in noise. In this situation, I noticed right away, that we were completely in a different situation than the one we were in a few days earlier when the same group of kids visited us at the college. In our dance studio, the kids were not only contained but also in a foreign setting. They could not be distracted, because apart from each other, there was nothing to be distracted by. They were thrown into a situation that went at rapid speed and by the time they had to leave, had no opportunity to engage in any type of distraction.

After introducing ourselves and warming up by experimenting with shapes, levels, abstract and literal ideas, we jumped into using the model to identify its characteristics and descriptions and building a movement phrase based on these ideas and observations.

Aside from the slightly chaotic scene that ensued, each group came up with some fantastic movement. There were ideas ranging from perceiving the model to be a set of monkey bars, to stairs, to a marshmallow, to overlaying text with the movement by naming all the colors that could be seen on the model.

The model was an excellent tool that sparked many of the kids’ curiosity. Some students were ambitious enough to instigate questions themselves. One even got out a pen and pencil to investigate the model more in depth. But some of the little ones had no idea what they were looking at. It was such a delight, in these instances, to ask them questions to get a glimpse into how they thought of this weird looking object. Some talked about how it looked like a spider web, in which different things could get caught, while others explained to me how DNA is probably the same size as the model in little kids and probably bigger in adults. On these occasions I wonder what they will think when they learn that DNA is used to attract and interact with enzymes, similar to the interaction between a spider web and its prey, or how mind-blowingly large DNA is within our cells, but in an exponentially smaller sense. By asking the right questions, these four, five, and six-year olds were essentially coming up with the same answers, but from a different perspective, as that of a scientist or a biology textbook.















 







Descriptions of the model
Boys Talk DNA

Sketches for a Dance
In Motion!

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